Post conference book club

Another conference over. Sad but true. It was about 50 hours of video and face to face over the week. As with conferences it was hyper focus for the week followed by info digestion time. Well meaning folk talk about looking after yourself, only doing x hours, regular breaks etc. and a lot of that is right. I would sleep in 1-3 hour shifts but my waking focus was all on conference learning and sharing. I’ve tried other ways of being but it’s not healthy to be honest. A little thing that allistics don’t really understand is that it’s not the hours that cause stress but the human interaction and switching between tasks that really get us. Suffice to say that it was a great conference with a lot achieved.

As always I went to quite a few Customer Relationship Management lectures and picked up a great suite of recommends – some that I’ve been wanting to read for a long time like “Nudge” (Thaler and Sunstein), “Decisive” (Chip and Dan Heath), “CRM at the Speed of Light” (Paul Greenberg) … and the huge favourite “Thinking Fast and Slow” by Nobel prize-winner Daniel Kahneman.

Daniel Kahneman, Thinking, Fast and Slow

So I started by post conference reading on Daniel Kahneman. This book has come up in many conversations and readings over the years and is built on 40 years of research. Systems processing in psychology breaks thinking into 2 processes

System 1 “is the brain’s fast, automatic, intuitive approach”. System 1 activity includes the innate mental activities that we are born with, such as a preparedness to perceive the world around us, recognise objects, orient attention, avoid losses – and fear spiders! Other mental activities become fast and automatic through prolonged practice. 

System 2 is “the mind’s slower, analytical mode, where reason dominates” . Usually, system 2 activity is activated when we do something that does not come naturally and requires some sort of conscious mental exertion.
https://www.marketingsociety.com/think-piece/system-1-and-system-2-thinking

Of course I’ve come across intuition and heuristics before. I was a psych major and spent untold hours as an acting student at university in Sandy Meisner “magic circles” acting impulsively. These things were either ideological (the former) or a bit of a pretence (the latter). I was always told that I was too ‘much in my head’ as an actor and not impulsive and ‘gut’ enough. I got better at faking it OR rehearsing so much at home that the thinking became unrecognisably fast, like remembering lines by reading them off the script in my mind. I’d argue that people were just ignorant of the calculations that they were doing in social situations and the amount of relationship math that was going on to interact with others were just the thing that they liked to call “intuition.”

Then I discovered I was autistic.

Well it was a long time coming to be honest. I was many times called autistic or aspie (amongst other things) when I was overloaded enough that the mask dropped. I rolled with it and tried harder. and harder. and … well it got to a point when I was working with others a lot more than usual in strategy and inter-team negotiation. And when my boundaries were crossed one to many times I did what comes naturally – I researched – and discovered my autistic self. Meeting more and more autists I realised that I was not just hard work, a broken person, or less – but a fully functioning autistic adult. That’s a conversation for another time.

Back to “Thinking Fast and Slow” by Daniel Kahneman I was reading about word association games and impulsive thinking and exactly how (neurotypicals) think about these things. Having thoughts that just into their mind when another is said as if by magic. You see this doesn’t happen for me. When word associating with my wife and she says yoghurt I think hard and come up with the yogurt that I just put into the fridge and make a conscious choice that I’d go with blue like the navy blue sticker that was on the carton. Or if she said smile I would conjure the list of emoticons and go to the next one in the list as a conscious choice. Impulsive thoughts to me are just cognition at speed.

I’ve posited this to my autistic psychologist friends and looking forward to what they have to say. From the recent feedback they seem to agree. We don’t do System 1 thinking. We don’t attribute malice to a big triangle that is following a smaller one (you neurotypicals are weird), we think about it and respond ‘appropriately’ (I realise this is laughingly subjective). It’s the same reason I believe that we autists have a large disregard for gender stereotypes with our high gender queer constituency and a high sense of justice in our shirking of nonsensical social convention. Of course I’m massively biased but I know that because I don’t do System 1 thinking. I think that we do an incredible processing job emulating heuristic thinking and doing so wonderfully well. But I’m sure that my thoughts on this will evolve when I talk to our incredible community further who will enlighten me more.

Literally food for thought.

Stay safe

Smug Heath Wilder in front of a red curtain.  TLCC 2021 logo beneath

ANZTRUC

Proof (for my boss) that I actually did do some work at ANZTRUC 😀

The corporate acting jobs: (the best workshop you’ll do)

I’ve had a few corporate jobs come up over the last few weeks. That’s great for a few reasons; one being that it’s been scarce on that particular front for a couple months (though filled by other acting work); two it’s with new clients which is great business wise; and three it’s the best emotional workshop you can possibly do AND you get paid for it.

I’ll talk a bit about #3 by going into some fuzzy details about the jobs.  With corporate work (Role play and Video) you are hired to show the good and bad of human interaction so that the people learning can see and practice what to do and what to avoid. What that essentially means for the actor (ie. me) is that I get to play the juicy parts of the human condition. Some times it’s the emotional journey of your favorite Shakespeare tragedy EVERY HALF HOUR

One job involved a character that was dying and the clients were training on getting information through to him. The tricky bit here was in a lot of the scenario’s my guy came in in a state of middle-of-the-road-happy but had to break down when confronted with the scary information.  This might seem a little obvious but for me as an actor I have been inclined to prep for the sad stuff and think about the rest of the scene as a chaff for that seed.  Here I was in a position to find it, or more accurately let it find me, in the scene. Now I’ve never been the cry-on-cue kind of actor but I was happily surprised to be able to pull it out of the bag very half hour for 8 hours a day for a week.  Big win.

This time I’ve been using Chubbuck (as taught by Anthony Wong so a little of a different flavour to what you might read) to get me over the line. He talks about setting up little land mines of emotion on words or gestures or concepts, in home time rehearsal and then setting them off (or letting them find you) in the scene.  I’ve been a little unsuccessful in the past doing this (at least for my own happiness) and I think that the main reason is the self judgement in the moment getting in the way of getting the action/objective. But in the immortal words of Bullwinkle Moose “This time for sure”.

Like any good magic there is a trick behind it and by trick I mean loads of tough training and constant practice, and I won’t go through it here.  If you need to know then get a hold of Anthony and do the dying exercise (or sexual chemistry or any of the amazing things he does).  The thing is it’s no different from being angry on cue; or being in love on cue; or what-have-you emotion.  The trick is focusing on yourself and the (sometimes sub-textural)  story that gets you there and making it about the dialogue between you and the person opposite you. I think that being in those 2 places at once makes it harder for the self judgement to be heard and get in the way of doing the job. Corporate jobs are great ways of training what you learn in class.

I’m in a glass case of emotion

So it’s been a big emotional couple weeks for me, both fake and RL (ironically real life stuff always happens at the same time doesn’t it?).  That’s a segue into looking after yourself emotionally.

We all know putting your hand in the fire is a bad thing. But the actors job is to metaphorically do that, and with glee and often.  Some of the reasons that actors (and all artists) are loved is that they are vicarious vehicles for emotional catharsis for the rest of us. The important actor trick here is to be very skilled at recovering from horror.  All the crying and anger and love is based on real feelings and (esp for my style of performance) very real events. After such a performance you get a couple hours of cathartic joy and relief in your body. It does (like the drugs that mimic it) come with a crash afterwards. So it is extremely important to have a good set of techniques to get you back to reality and back into yourself. Some might call this de-rolling but for me it’s just resetting. All the drinks at the pub and good reviews are poor substitutes for good de-rolling techniques. This is another thing that I’ve been thankful for – getting skilled up by Anthony. Actually he’s the only one whose taught this to me over the 15 years I’ve been going to his class. I never learnt this in acting school or any of the other classes I’ve been to which is sad.

Anyway that is some of the stuff I’ve been thinking about wrt corporate jobs. I’d love to hear some of your experiences.

the MOViE ON story

Welcome back to heathwilder.com. I felt a little silly not adding something about MOViE ON to the page considering as it took up Xmas for Tristan Kenyon, Drew McCourt, Michael Walker and myself (and many others).

It started as an idea over the years for a TV dramedy (we don’t know what that means either) based in a small indy video store similar to the one we may have worked over the years for a little extra $ (depending on who asks). As anyone who has ever worked retail and customer service can tell you the show started writing itself. Odd customers and over qualified staff at the wrong end of the art form they loved.

"And I will always looove you"

After a particularly rough spot Tristan, Drew and I eventually sat down and came up with a concept for the looming Optus one80 comp.  It was a deadline we new could motivate us – a 3 minute trailer by New Year and one month to do it!!!!!

Video stores are dying for a number of reasons including piracy, the shift in marketplace to downloadable content and a GFC. All things that are boring as hell to read about but tough to live through, especially when you are a struggling artist 30 something artist who is at that particular time in their life when they need to work out if mom was right and they should have stuck with med school. We were all guilty as charged.

The face I made when they told me we didn't make the cut for Optus one80

The characters were a mix of ourselves, our immediate friends and enemies, and a distillation of the bizarre customers we had known throughout the years and wanted to celebrate on film.  Tristan wrote the initial script and he and I worked on subsequent drafts. That lead us to the trailer. We filmed this over a couple weeks like mad men after hours and juggling a schedual that looked mad. Our saving grace was our amazing crew (ie. friends) and especially our good pal and amazing camera genius Michael Walker. Click here to see his other recent stuff.

The cast were off the chart as well.  Often we gave a brief to the guys coming in (also great friends donating their talent and time) that set up the playground we wanted to work in and let them improv their way to success.  Bless you all for running with that. the results are GOLD!

Coupled with Tristans vast talent and experience as a director, editor and DOP we got this trailer together.

However Optus didn’t love it like we did (#sadface) so we were sad for about 5 minutes. NOW Tristan and I are putting together the whole story.  It’ll be all the stuff that was AWESOME but couldn’t make a 3min trailer and tells more of the story of MOViE ON.  With some luck a rich(er than us) network will give us some $ to make more of it and we’ll see how that goes.  Stay tuned for updates on MOViE ON.

I’m going to leave you with a gallery of the amazing cast (and crew as practically everyone doubled in classic Sam Raimi style).

A Divorce

No nothing to call Jerry Springer about. It’s an animated film that I narrated for Beini Huang a while ago. I did some talking and she did everything else. Well not surprisingly it won “Best Film at the Toronto Student Film Festival (2011)” which is definitely something to write home (and blog) about. Check out Beini.com.au for more of her amazing stuff. Really proud to be a part of such a great project.

A DIVORCE; BY BEINI HUANG

Welcome to heathwilder.com

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I’ve been an actor for more than 20 years, and analysed data for more than 30. I trained at the esteemed University of Western Sydney Nepean in physical theatre and at the University of Sydney where I studied neurophysiology. I’ve also studied a wide range of acting styles and techniques, and have skills raging through voice acting, physical and stand-up comedy and stage fighting making me a versatile actor with an eclectic career.

Sydney based I have lectured and performed around the world. For more info check out the about me page above. For examples of my work have a look through the video and photo pages. For a bio and to get in touch see my contacts page.

The new diggs!

Hi all,  Looks like I might be starting (or restarting) a website and blog.  The idea is to link all the parts of my work life into one big happy website where employers, collaborators and appreciators can view and peruse.  a hair raising experience

Let me know what you think and where you’d like this to go.  It’s 2 days old at the moment so expect more growth soon.

You go Glenn Coco!